This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within w...(展开全部)

托马斯•沙兹（Thomas Schatz），美国德克萨斯大学传播学教授，主要研究领域为好莱坞电影和制片厂制度。作为知名电影评论人，著有：《旧好莱坞•新好莱坞：仪式、艺术与工业》《繁荣与衰败：1940年代的美国电影》《体系的特质：制片厂时代的好莱坞电影制作》《好莱坞电影类型》等。他还参与了多部电影及电视纪录片的创作，如美国公共电视台的纪录片系列《美国电影》等。

By integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom. Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the 'star image' is replaced with the 'star brand' Offers the first extensi...(展开全部)

By integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom. Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the 'star image' is replaced with the 'star brand' Offers the first extensi...(展开全部)

詹姆斯·冈恩（1923~ ），美国科幻小说家，获“科幻大师”称号。代表作有《堡垒世界》（1955）、《星际桥梁》（1955）、《空间站》（1958）、《快乐制造者》（1961）、《长生不老的人》（1962）、《倾听者》（1972）、《校园》（1977）和《危机》（198 6）等；曾任美国科幻作家协会主席（1971-1972）、美国科幻小说研究会主席（1980-1982）、“约翰·坎贝尔纪念奖”评奖委员会主席（1979年至今）；编著有《科幻之路》《科幻小说新百科全书》等。 郭建中（1938~ ），翻译家，学者，享受国务院特殊津贴。主要论著有《科普与科幻翻译：理论、技巧与实践》《当代美国翻译理论》《文化与翻译》等；主要译著有《杀鹿人》（合译）、《鲁滨逊漂流记》《摩尔·弗兰德斯》《铁草》等，并翻译和主编《外国科幻小说译丛》（50余册）和《科幻之路》（6...(展开全部)

A rich and informative look at the experiences of composers working under high pressure in the US film industry, The Hollywood Film Music Reader brings readers from film's earliest days to the modern blockbuster era. Beginning with the origins of movie music in the heyday of silent film, the book traces film music's progress through Hollywood's so-called Golden Age to changes i...(展开全部)

How films are conceived,planned, and produced leaves a mark upon the films, directly and structurally. The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earlie...(展开全部)

How films are conceived,planned, and produced leaves a mark upon the films, directly and structurally. The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earlie...(展开全部)